Cornish Wall
Andile Dyalvane
I adapt to the environment, the energy, the sounds…
Line
Annika Jarring
I see it as small journal notes of a time and place.
Strata
Awaré
What I find interesting about rust is that it leaves an imprint behind.
Vase
Beate Leonards
I prefer making objects which you can use in your everyday life.
Blue Tree
Blast Studio
How nature can take over urban waste.
Connection
Chikuunsai Tanabe
The process of creating starts with the tools.
A Time of Sincerity
Dahye Jeong
The technique has been around since the Joseon Dynasty.
Stash
David Clarke
This is the consequence of my actions which I can't control.
Âmago Sculpture
Domingos Tótora
The pieces have to have a meaning, they have to touch people deeply.
The Landscape of Memory
Eleanor Lakelin
My work is like a form of archaeology. I try to reveal something about the soul of the tree.
Red Folded Organic Form
Fernando Casasempere
I use my own body to make the piece, to make the form.
Mixed Emotions comprised of ‘Stick It Together Silver’, ‘You’re Not the Only One’ and 'This Coming and Going'
Fredrik Nielsen
I think I am obsessed with expressing myself.
Verborgen
Julia Obermaier
My working process is like meditation.
Sense of Forest
Junsu Kim
In my work the most important thing is my hands.
Magma Interrupted
Kate Malone
Heart and fire and water.
Oak Vessel
Konrad Koppold
I consciously combine design with the power of nature.
Vases 1997
Lu Bin
It’s a challenging issue of our time: how to continue our inherited traditions.
iZembe (An Axe)
Madoda Fani
I am inspired by our rich heritage, African heritage.
Ananasakäämä
Marianne Huotari
Ceramic art is my language.
Cosmos
Mayumi Onagi
The theme of the objects is life.
Deviation
Mel Douglas
I'm looking for material qualities to shine through and connect with my ideas.
Instinctive
Minwook Kim
I accept nature as it is rather than try to control it.
Dumbung-jucho
Myungtaek Jung
Making a form is always an enjoyable process for me.
Urushi Paper Pleats Bench
Pao Hui Kao
Somehow paper reflects my personality.
Étoffe de Gloire / Royal Kita With Red Stripes
Peter McCarthy
There is beauty in imperfection.
Vessel with Plantain Surface Decoration
Sangwook Huh
I’m guided by my tools.
Someone Is Praying for You
Soyun Jung
After I made the work, I felt a lot of emotions.
Crypsis
Trinidad Contreras
I try to transmit the symbolism of each piece via the textures and twists the material takes on.
Dornröschen (Sleeping Beauty)
Vera Siemund
I’m happy that people recognize what it represents. But they can also create their own story about my pieces.
Wavy Inverted Bowl
Yongjin Chung
The small details are like singular reflections of time, like in the human ageing process.